|
|
|
King Solomon and the Queen of Sheba qr Painting ID:: 9748
|
WITZ, Konrad King Solomon and the Queen of Sheba qr 1435
Panel, 84 x 79 cm
Staatliche Museen, Berlin
|
|
|
|
|
|
|
|
The Liberation of St Peter jgu Painting ID:: 9749
|
WITZ, Konrad The Liberation of St Peter jgu 1443-44
Panel, 132 x 154 cm
Mus??e d'Art et d'Histoire, Geneva
|
|
|
|
|
|
|
|
Adoration of the Magi hfy Painting ID:: 9750
|
WITZ, Konrad Adoration of the Magi hfy 1443-44
Panel, 132 x 151 cm
Mus??e d'Art et d'Histoire, Geneva
|
|
|
|
|
|
|
|
Presentation of Cardinal de Mies to the Virgin r Painting ID:: 9751
|
WITZ, Konrad Presentation of Cardinal de Mies to the Virgin r 1443-44
Panel, 132 x 154 cm
Mus??e d'Art et d'Histoire, Geneva
|
|
|
|
|
|
|
|
The Synagoge jrt Painting ID:: 9752
|
WITZ, Konrad The Synagoge jrt c. 1435
Wood, 86 x 80,5 cm
Öffentliche Kunstsammlung, Basle
|
|
|
|
|
|
|
| Prev Artist Next Artist
|
|
WITZ, Konrad
|
b. cca 1400, Rottweil, d. ca. 1445, Basel. German-born painter from Rottweil in Swabia, active in Switzerland. German painter. One of the great innovators in northern European painting, he turned away from the lyricism of the preceding generation of German painters. His sturdy, monumental figures give a strong impression of their physical presence, gestures are dignified and the colours strong and simple. Even scenes with several figures are strangely undramatic and static. The surface appearance of materials, especially metals and stone, is intensely observed and recorded with an almost naive precision. Powerful cast shadows help to define the spatial relationships between objects. His fresh approach to the natural world reflects that of the Netherlandish painters: the Master of Fl?malle and the van Eycks. He need not, however, have trained in the Netherlands or in Burgundy as knowledge of their style could have been gained in Basle. He remained, however, untouched by the anecdotal quality present in their art, |
Related Artists::. | Melone, Altobello | Alexander Nasmyth | Ellen Day Hale | |
|